guitar archive
Posted on Wednesday, February 10, 2010 in Guitar Lessons & Accessories

can anyone help me find a Double neck guitar with the top neck electric and the bottom neck acoustic?
i saw this awsome double-neck on Guitar Center’s website a while back….. now i can’t find it anywhere….. not even in their archives.
Remember Top neck Electric, Bottom Neck Acoustic
doesn’t exist. Twin necks can only work with very weird body shapes, which just don’t work as acoustic guitars.
You might have seen a twin neck guitar with a hole in it, like some Telecasters have.
Those are more about reducing weight than anything else though.
Classical Guitar Video Archive
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Frank Zappa - 1974 Art Print Poster By National Archive, 11 x 14
Shop for Frank Zappa - 1974 Poster Print by National Archive at PosterExpo.com. Over 400k posters, art prints, artwork, lithographs, and photographs online. Custom framing is available. Framing your favorite art print has never been easier. PosterExpo introduces a friendly and exciting way to view your customized framed art. All mouldings are high-quality, elegant choices at affordable prices and ... |
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Frank Zappa - 1974 by National Archive 11.00X14.00 Framed with Black Metal Frame
Frank Zappa - 1974, framed black metal, white matte. Beautiful Highest Quality Frame, Solid Finish, LOW SHIPPING!!! Price includes price of print Poster. Framing includes dry mounting, acrylic glazing. Comes ready to hang. and is a better quality then your local framing store Guaranteed.... |
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Archive
$11.99 Archive |
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Into the Archive
$77.55 Into the Archive |
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Into the Archive
$22.26 Into the Archive |
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Archive
$11.61 Archive |
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The Archive
$18.71 The Archive |
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Archive
$34.99 Archive |
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Archive
$12.99 Archive |
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Archive
$11.99 Archive |
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Into the Archive
$71.96 Into the Archive |
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Into the Archive
$20.66 Into the Archive |
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Archive - Londinium
$15.82 The debut album from the rather mysterious (though major-label-backed) project Archive, Londinium sounds like R&B on Prozac: trip-hop with evocative, gauzy synth textures (some from soul samples) girded by simplistic yet effective downbeat techno. There`s either a sweet-voiced female or an abstract rapper (sometimes both) on almost every cut, and plenty of organic instruments added to the mix as well; lending a hand with the guitar work on four tracks is Underworld`s Rick Smith. (Archive even samples Underworld`s "MMM Skyscraper I Love You" elsewhere.) Despite an admirable production job and some enviably deep grooves, though, Londinium is just a tad too consciously stylish for its own good. ~ John Bush Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Archive - Londinium
$16.42 The debut album from the rather mysterious (though major-label-backed) project Archive, Londinium sounds like R&B on Prozac: trip-hop with evocative, gauzy synth textures (some from soul samples) girded by simplistic yet effective downbeat techno. There`s either a sweet-voiced female or an abstract rapper (sometimes both) on almost every cut, and plenty of organic instruments added to the mix as well; lending a hand with the guitar work on four tracks is Underworld`s Rick Smith. (Archive even samples Underworld`s "MMM Skyscraper I Love You" elsewhere.) Despite an admirable production job and some enviably deep grooves, though, Londinium is just a tad too consciously stylish for its own good. ~ John Bush Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Archive - Londinium
$14.04 The debut album from the rather mysterious (though major-label-backed) project Archive, Londinium sounds like R&B on Prozac: trip-hop with evocative, gauzy synth textures (some from soul samples) girded by simplistic yet effective downbeat techno. There`s either a sweet-voiced female or an abstract rapper (sometimes both) on almost every cut, and plenty of organic instruments added to the mix as well; lending a hand with the guitar work on four tracks is Underworld`s Rick Smith. (Archive even samples Underworld`s "MMM Skyscraper I Love You" elsewhere.) Despite an admirable production job and some enviably deep grooves, though, Londinium is just a tad too consciously stylish for its own good. ~ John Bush Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Online Archives: Wikileaks, Internet Archive, Marxists Internet Archive, Webcite, Talkorigins Archive, the Simpsons Archive, Textfiles.
$14.14 Purchase includes free access to book updates online and a free trial membership in the publisher''s book club where you can select from more than a million books without charge. Chapters: Wikileaks, Internet Archive, Marxists Internet Archive, Webcite, Talkorigins Archive, the Simpsons Archive, Textfiles.com, Civil Rights Litigation Clearinghouse, Ultimate Guitar Archive, Bt Archives, Bbc Motion Gallery, Capital Collections, Europeana, Psephos, Metropolitan Travel Survey Archive, Spunk Library, Highbeam Research, Articlealley, E-Lis, International Internet Preservation Consortium, Archive Site, Records of the Parliaments of Scotland, Live Music Archive, Pkp Open Archives Harvester, Heritage Microfilm, Newspaperarchive.com, Archives Hub, Aim25, Higher Intellect Project, Metrolyrics, Publication of Archival, Library |
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The Archive
$15.52 The significance of the archive in modernity and in contemporary art; writings by Sigmund Freud, Michel Foucault, Hal Foster, and others, and essays on the archival practice of such artists as Gerhard Richter, Christian Boltanski, Renee Green, and The Atlas Group. |
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Archive Light
$4995 Archive Light |
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Archive Light
$4995 Archive Light |
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Archive Light
$4995 Archive Light |
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Archive Bold
$4995 Archive Bold |
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Archive Light
$4995 Archive Light |
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Archive Bold
$4995 Archive Bold |
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Archive Bold
$4995 Archive Bold |
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Archive Bold
$4995 Archive Bold |
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Archive Normal
$4995 Archive Normal |
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Archive Normal
$4995 Archive Normal |
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Archive Normal
$4995 Archive Normal |
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Archive Normal
$4995 Archive Normal |
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Archive Family
$89 Archive Family |
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Archive Family
$89 Archive Family |
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Archive Family
$89 Archive Family |
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Archive Family
$89 Archive Family |
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An Archive of Feelings
$17.49 An Archive of Feelings |
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Imperial Archive
$26.5 Imperial Archive |
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The Dalkey Archive
$13.95 The Dalkey Archive |
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The Waterloo Archive
$46 The Waterloo Archive |
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Diablo Archive
$16.19 Diablo Archive |
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The Waterloo Archive
$46 The Waterloo Archive |
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The Archive and the Repertoire
$24.2 The Archive and the Repertoire |
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The Starcraft Archive
$16.2 The Starcraft Archive |
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An Archive of Feelings
$18.71 An Archive of Feelings |
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The Warcraft Archive
$14.4 The Warcraft Archive |
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Archive No 1
$39.99 Archive No 1 |
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Anthology Archive
$11.99 Anthology Archive |
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Archive 2003-2006
$11.99 Archive 2003-2006 |
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The Starcraft Archive
$12.2 The Starcraft Archive |
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The Unravelling Archive
$16.63 The Unravelling Archive |
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Archive Fever
$29.84 Archive Fever |
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The Waterloo Archive
$33.15 The Waterloo Archive |
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Disassembling the Archive
$18.06 Disassembling the Archive |
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The Waterloo Archive
$33.74 The Waterloo Archive |
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Counter-archive
$99 Counter-archive |
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Counter-archive
$34.5 Counter-archive |
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The Unravelling Archive
$75 The Unravelling Archive |
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The Big Archive
$16.63 The Big Archive |
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Archive from 1959: The Billy... [Digipak]
$15.99 Full title: Archive from 1959: The Billy Childish Story.Liner Note Author: Lois Wilson.In an era when a band is considered unusually prolific if they release an album every 18 months, Billy Childish is a glorious anomaly, a man who believes in the power of music in its raw, pure state and isn't afraid to roll tape and capture the moment when the inspiration strikes. Childish's muse is a frequent enough visitor that he's released nearly 120 albums since his first band, the Pop Rivets, cut their debut LP in 1979, and what's more surprising than the fact he's made so many records is that most of them fall somewhere between pretty good and pretty great. In 1991, Sub Pop took up the daunting task of assembling a Billy Childish career anthology with the two-CD set I Am the Billy Childish, which pulled one track each from the 50 albums Childish had put out to date; since then, the man's body of work has continued to expand at a feverish pace, and Archive from 1959: The Billy Childish Story by necessity takes a different approach. Instead of summarizing the totality of Childish's catalog of recorded work, Archive from 1959 is an introduction to his rock & roll music, ignoring for the time being his dabblings in blues, folk, and spoken word. Archive from 1959 doesn't bother itself with a chronological sequence of Childish's recordings, as this set jumps between decades and the man's various groups (Thee Milkshakes, Thee Mighty Caesars, Thee Headcoats, Thee Buff Medways, the Musicians of the British Empire and still more), but his approach hasn't changed very much with the years -- Childish still bashes away at his cheap guitar like some unholy fusion of the Sonics, Link Wray, and the Who in their early amphetamine overdrive period, he still can throw down a furious rant as easily as a snarky pop culture homage or a fractured observation on the battle of the sexes, and he seems perfectly incapable of not pouring out one hundred percent of his heart and soul when he steps up to the microphone. The 51 songs on these two CDs hardly tell the full story about Childish and his music, but as a summary of what he does best, it's accurate, compelling, and it rocks hard -- this is garage rock that holds up a mirror to every corner of this man's soul, and there are a few dozen remarkable stories to be found on Archive from 1959, along with music powerful enough to awake the dead. ~ Mark Deming |
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Department of Eagles - Archive 2003-2006 [7/20] *
$15.62 Personnel: Daniel Rossen (vocals, guitar, banjo, cello, piano, drums); Fred Nicolaus (vocals, guitar, drums).Liner Note Author: Fred Nicolaus.Recording information: The Hearse, Berkeley, CA (01/2006); Various Locations, New York, NY (01/2006); The Hearse, Berkeley, CA (2003-2004); Various Locations, New York, NY (2003-2004).Department of Eagles` lovely 2008 album, In Ear Park, was such a breakthrough for Daniel Rossen and Fred Nicolaus that it could be easy to forget that not only did the duo have a body of work before its release, but they tried to record a second album years before. The straightforwardly named Archive 2003-2006 captures the attempts Department of Eagles made over those years to make the follow-up to The Cold Nose (aka The Whitey on the Moon LP). Despite the scattered nature of the recording sessions and the varying states of completion these songs are in, Rossen and Nicolaus found ways to make this more than just a slapped-together collection of odds and sods. The "Practice Room Sketches" -- ghostly traces of a piano melody here, a skeletal song there -- link together the more fleshed-out tracks and add an open-ended wistfulness to the whole affair. Surprisingly though, most of Archive`s songs are closer to finished than not, and several of them rival the tracks that made it onto Department of Eagles` official albums. "Flip" and "While We`re Young"`s brisk, symphonic folk-pop have just as much hooky flair as "No One Does It Like You"; meanwhile, "Golden Apple"`s slowly unfolding space lullaby is so unique that it`s a shame it didn`t get the full Department of Eagles treatment. However, the band did recycle parts of these songs into other tracks: the banjo melody from the pretty but somewhat disjointed "Deadly Disclosure" ended up on the In Ear Park song "Balmy Night." As always, the Grizzly Bear comparisons are inevitable, but Archive falls closer to Yellow House`s rustic experiments than to Veckatimest`s multifaceted dazzle (which makes sense, since Rossen joined the band in 2004, right in the middle of these sessions). Though songs like "Grand Army Plaza" and "Brightest Minds" -- both of which are great examples of Department of Eagles` oddly nostalgic sound -- fell by the wayside, they`re too good not to be heard. Archive 2003-2006 is well worth a listen for Department of Eagles and Grizzly Bear fans, especially those intrigued by how albums get made -- or don`t get made, as the case may be. ~ Heather Phares Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Department of Eagles - Archive 2003-2006 [7/20] *
$16.21 Personnel: Daniel Rossen (vocals, guitar, banjo, cello, piano, drums); Fred Nicolaus (vocals, guitar, drums).Liner Note Author: Fred Nicolaus.Recording information: The Hearse, Berkeley, CA (01/2006); Various Locations, New York, NY (01/2006); The Hearse, Berkeley, CA (2003-2004); Various Locations, New York, NY (2003-2004).Department of Eagles` lovely 2008 album, In Ear Park, was such a breakthrough for Daniel Rossen and Fred Nicolaus that it could be easy to forget that not only did the duo have a body of work before its release, but they tried to record a second album years before. The straightforwardly named Archive 2003-2006 captures the attempts Department of Eagles made over those years to make the follow-up to The Cold Nose (aka The Whitey on the Moon LP). Despite the scattered nature of the recording sessions and the varying states of completion these songs are in, Rossen and Nicolaus found ways to make this more than just a slapped-together collection of odds and sods. The "Practice Room Sketches" -- ghostly traces of a piano melody here, a skeletal song there -- link together the more fleshed-out tracks and add an open-ended wistfulness to the whole affair. Surprisingly though, most of Archive`s songs are closer to finished than not, and several of them rival the tracks that made it onto Department of Eagles` official albums. "Flip" and "While We`re Young"`s brisk, symphonic folk-pop have just as much hooky flair as "No One Does It Like You"; meanwhile, "Golden Apple"`s slowly unfolding space lullaby is so unique that it`s a shame it didn`t get the full Department of Eagles treatment. However, the band did recycle parts of these songs into other tracks: the banjo melody from the pretty but somewhat disjointed "Deadly Disclosure" ended up on the In Ear Park song "Balmy Night." As always, the Grizzly Bear comparisons are inevitable, but Archive falls closer to Yellow House`s rustic experiments than to Veckatimest`s multifaceted dazzle (which makes sense, since Rossen joined the band in 2004, right in the middle of these sessions). Though songs like "Grand Army Plaza" and "Brightest Minds" -- both of which are great examples of Department of Eagles` oddly nostalgic sound -- fell by the wayside, they`re too good not to be heard. Archive 2003-2006 is well worth a listen for Department of Eagles and Grizzly Bear fans, especially those intrigued by how albums get made -- or don`t get made, as the case may be. ~ Heather Phares Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Department of Eagles - Archive 2003-2006 [7/20] *
$13.86 Personnel: Daniel Rossen (vocals, guitar, banjo, cello, piano, drums); Fred Nicolaus (vocals, guitar, drums).Liner Note Author: Fred Nicolaus.Recording information: The Hearse, Berkeley, CA (01/2006); Various Locations, New York, NY (01/2006); The Hearse, Berkeley, CA (2003-2004); Various Locations, New York, NY (2003-2004).Department of Eagles` lovely 2008 album, In Ear Park, was such a breakthrough for Daniel Rossen and Fred Nicolaus that it could be easy to forget that not only did the duo have a body of work before its release, but they tried to record a second album years before. The straightforwardly named Archive 2003-2006 captures the attempts Department of Eagles made over those years to make the follow-up to The Cold Nose (aka The Whitey on the Moon LP). Despite the scattered nature of the recording sessions and the varying states of completion these songs are in, Rossen and Nicolaus found ways to make this more than just a slapped-together collection of odds and sods. The "Practice Room Sketches" -- ghostly traces of a piano melody here, a skeletal song there -- link together the more fleshed-out tracks and add an open-ended wistfulness to the whole affair. Surprisingly though, most of Archive`s songs are closer to finished than not, and several of them rival the tracks that made it onto Department of Eagles` official albums. "Flip" and "While We`re Young"`s brisk, symphonic folk-pop have just as much hooky flair as "No One Does It Like You"; meanwhile, "Golden Apple"`s slowly unfolding space lullaby is so unique that it`s a shame it didn`t get the full Department of Eagles treatment. However, the band did recycle parts of these songs into other tracks: the banjo melody from the pretty but somewhat disjointed "Deadly Disclosure" ended up on the In Ear Park song "Balmy Night." As always, the Grizzly Bear comparisons are inevitable, but Archive falls closer to Yellow House`s rustic experiments than to Veckatimest`s multifaceted dazzle (which makes sense, since Rossen joined the band in 2004, right in the middle of these sessions). Though songs like "Grand Army Plaza" and "Brightest Minds" -- both of which are great examples of Department of Eagles` oddly nostalgic sound -- fell by the wayside, they`re too good not to be heard. Archive 2003-2006 is well worth a listen for Department of Eagles and Grizzly Bear fans, especially those intrigued by how albums get made -- or don`t get made, as the case may be. ~ Heather Phares Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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The Archive
$16.31 In the modern era, the archive—official or personal—has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive—no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive—as idea and as physical presence—from Freud`s "mystic writing pad" to Derrida`s "archive fever"; from Christian Boltanski`s first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renee Green, and The Atlas Group in the present.Copublished with Whitechapel Art Gallery, London |
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The Archive
$16.93 In the modern era, the archive—official or personal—has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive—no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive—as idea and as physical presence—from Freud`s "mystic writing pad" to Derrida`s "archive fever"; from Christian Boltanski`s first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renee Green, and The Atlas Group in the present.Copublished with Whitechapel Art Gallery, London |

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